Well, just don’t mute anything, you can remove everything you don’t need in Logic anyway. Further testing with another project showed that muting a track actually removed everything from that track from the AAF export. So basically: DO NOT MUTE ANY TRACKS IN RESOLVE. Mp3 and mp4 clips will get distorted if you are muting a track. However, if you are muting a track then stereo region seems to get doubled on top of each other in Logic. – Muting an audio track in Resolve does nothing for Logic. What you can do, what you cannot do and how it seems to work and not work: You don’t want too little and not too much either.Īnd this is an example of this workflow: Example of a Pro tools AAF export from Davinci to Logic Pro X. The frame handles you can choose what you want, usually 6-10 seconds is recommended. Make sure the reference audio is embedded in the video file. I do all my work on a Macbook Pro 14″ M1 Max 10-core CPU 32 GB RAM laptop and it works great. You can do 1080p if you have a more powerful computer and you feel you do better work with a more high quality image.
X2PRO AUDIO CONVERT TRIA 720P
Proxy and 720p makes the video file size a lot smaller and with more than good enough quality for most sound design. Why Apple ProRes 422 Proxy 720p or 1080p? The common H.264/mp4 format works in Logic but uses more CPU, can cause picture latency (usually 1-2 frames off) and is not as pixel-accurate. Timing that is, if a picture gets changed later for another similar picture, that can be ok as long as it does not change the overall timing. Make sure the picture is truly locked before starting with the sound. It’s relatively easy to drop some frames in a video edit, but in the audio world with the importance of sound flows, to re-edit and re-mix can be anything from a light headache to almost impossible, especially in Logic where you cannot make a reconform. Picture lock does not mean “mostly picture locked”. Picture locked reference video with embedded audio in Apple ProRes 422 Proxy 720p/1080p format.
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